This book is unique in a couple of ways.It is a compilation of articles on how Bill Evans used harmony.Obviously, Evans' extensive studies in college and beyond went far beyond what one thin book can cover, but it does what it does efficiently and well.The author is an unabashedly effusive fan of Evans and throws this energy into the work to make it as clear and understandable as possible.
Articles include:
Peri's Scope-Harmonic Analysis (includes Evans' intensive regimen for learning new songs)
Peri's Scope-Thematic Analysis (good discussion of developing a musical theme)
Times Remembered-Harmonic Analysis
Times Remembered-Modal Analysis
Times Remembered-Intervalic Analysis
"Funny Man" and "I Should Care" (lots of practical discussion of reharmonization techniques
I Fall in Love Too Easily (more reharmonization)
Twelve Tone Tune (probably of more academic than practical interest)
How Deep is the Ocean (advanced reharmonization)
B Minor Waltz (more advanced reharmonization)
For instant gratification, the book provides a rigorous method for learning new songs.For reassurance, it reminds the reader of how much Bill Evans worked on songs before they were "battle ready" and how long the author took to work out fingerings to one Evans song (eight months).It is amazing that jazz musicians have any time to perform at all, given all the techniques they have to learn.For future reference, the book constantly trumpets the virtue of Arnold Schoenberg's 1911 Theory of Harmony, the influence of which is pointed out periodically in Evans' work.
The book presents articles in a fairly logical order of increasing difficulty.It is presented in a fashion easily understandable to me, who knows a good deal of theory, but has no degree in music.
The bad news is, this book will not have an instant and noticeable effect on your piano playing.The good news is, this book is by a highly skilled, true blue Evans fan, who provides enough material to keep most musicians of above-average skill very busy for a long time.Plus, with careful reading and intensive practice, the book should eventually move the dedicated Evans fan a few steps closer to understanding how to play a bit more like him.
I may be a little hard giving this bargain of a music book only four stars.Except for the author's "groupie" tone, the lack of instant magic for my piano playing, and lack of chapters on my favorite tunes, this book would rate five stars from me.It definitely gets my recommendation for people seeking what it offers.
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Product Description:
Bill Evans, the pianist, is a towering figure acknowledged by the jazz world, fans, musicians and critics. However Bill Evans, the composer, has yet to take his place alongside the great masters of composition. Therein lies the sole purpose of this book. A compilation of articles - now revised and expanded - that originally appeared in the quarterly newsletter Letter from Evans, this unique folio features extensive analysis of Evans' work. Pieces examined include: B Minor Waltz * Funny Man * How Deep Is the Ocean * I Fall in Love Too Easily * I Should Care * Peri's Scope * Time Remembered * and Twelve Tone Tune.Author Jack Reilly is a pianist, composer and educator in both the jazz and classical genres. He has chaired the Jazz Studies departments of the New England Conservatory of Music, Mannes College of Music, and The New School. He is presently Jazz Piano Professor at Rowan College in New Jersey.
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