Improvisation At The Piano ( A Systematic Approach For The Classically Trained Pianist) [Paperback] Review

This is probably the most effective (best) book I've read for any acquired skill.

I'm a pianist (currently working on my Masters at a conservatory) and was searching for a book on improvisation within the classical medium.I was frustrated because I couldn't find any book with the exception of this.

Thank God that I could only find this book.Yesterday, I read through most of it.The exercises are brilliantly isolated to help acquire rhythmic, harmonic, dynamic competence, etc.It demonstrates how to recognize the modes within a passage of a few to several chords, recognize how closely related they are, etc...

You definitely have to have a good backround in theory to understand this whole text, but even if you do not, the first 20 pages or so will stretch your mind and greatly improve your compitence (in terms of improvisation).

The balance between demonstration and exercise is just about perfect.Because they include multiple demonstrations before each exercise (and there are PLENTY of exercises), the exercises are never confusing or misunderstood.Within the demonstrations, great (basic to more advanced) improvisation is shown over the bassline or whatever backing your going to play in your left or right hand before you must do it yourself.They make sure to include certain key ideas within these improv demonstrations, such as outlining a certain chord with embellishment, emphasizing a certain tone, etc.

I plan on dedicated some of my time every day to this book because I believe that we are living in a time where musicians are not well-rounded like they were in the 20's-60's.... we cannot transpose at sight, improvise, understand theory like we used to.

Books like this are truly a savior to this art.

The authors Brian Chung and Dennis Thurmond demonstrate ways of improvising over classics such as the bass lines to Fur Elise and Mozart's C Major sonata, and then changing them to the relative modes etc.I agree with the person who wrote the review above me; this book will help you understand the theory behind music, which in turn helps memorize and understand the composer's compositional style/intentions.Moreso than this, it will do wonders for the ear and the ability to recover from mistakes in performance.I believe that it has potential to cut a performer's memory slips at least in half if not much less during any given performance.With proper improvisation ability comes proper ear training comes a more thorough learning of the music and less of a chance to rely on muscle memory etc....

Great stuff!I rarely write a review on Amazon but this book is truly deserving.I plan on teaching this text to my more advanced students as well.

I applaud the authors of this book.Mastery of an instrument should not just entail a replication of repertoire, but the ability to sightread, transpose, improvise, and know your way around the instrument backwards and forwards.

If I am able to conquer this text, I will finally be able to say that I have true mastery of the instrument.

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Product Description:
This unique text uses a step-by-step approach to guide the reader from fundamental concepts to advanced topics in improvisation. Each subject is broken into easy to understand segments, gradually becoming more complex as improvisational tools are acquired. Designed for the classically trained pianist with little or no experience in improvisation, it uses the reader s previous knowledge of basic theory and technique to help accelerate the learning process. Included are over 450 music examples and illustrations to reinforce the concepts discussed. These concepts are useful in all improvisational settings and can be applied to any musical style. For pianists interested in jazz, there are three chapters dedicated to introducing jazz improvisation, which can be used as the basis for further study in this idiom.

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