Showing posts with label america. Show all posts
Showing posts with label america. Show all posts

2/26/2011

The Music of Black Americans: A History [Hardcover] Review

The Music of Black Americans: A History [Hardcover]Have you ever heard about The National Negro Opera Company? Founded by Mary Cardwell Dawson, the company made its debut in Pittsburgh in 1941. This is but one of the fascinating things you can discover in this marvelous book. If you have an interest in music of whatever variety, your library is incomplete without this book.
This 3rd edition was done in 1997, thus it is quite up-to-date in its coverage of classical, jazz, rock, pop, gospel, swing, ragtime or blues. If it is music as practiced, performed or composed by people of color, this is where you'll find valuable information about it. Beginning with Africa and continuing to the present day, the four sections detail this rich history: Song in a Strange Land (1619-1775); Let My People Go (1776-1865); Blow Ye the Trumpet (1865-1919) and Lift Every Voice (1920-1996). The latter section is particularly informative reading with sections on Jazz, The Harlem Renaissance, and the Mid-Century Decades. It is these years in which artists of color finally took their well-deserved place on the musical stages of the world. Of course, they had been visible in their own world, and the popularity of such major composers as Scott Joplin and Duke Ellingtonallowed them to more or less effortlessly cross-over to the 'white' world. Lena Horne, the Mills Brothers, Louis Armstrong, Cab Calloway were--and still are--names to be reckoned with in any list of fabulous performers.
And then there was Marion Anderson who finally made her way to the Metropolitan Opera at the very end of her career, making way for Robert McFerrin, Leontyne Price, Jessye Norman, Simon Estes and George Shirley, who were very much pioneers in their respective repertoire. Today, thankfully, artists of color are not at all rare on the concert and/or opera stages of the world. But lest we forget the individual trauma these artists suffered in order to be able to compete in this way, we need to remember the past while we are glorying in the present. This book will, if you let it, open your mind and your ears to wonderful, glorious sounds, without which our world would be a much quieter and poorer place.
The author of this book is the renowned Eileen Southern (Professor Emerita of Music and Afro-American Studies at Harvard University) who is herself a musician as well as a writer, and is eminently qualified to illuminate The Music of Black Americans to the world in general.
Pages 613 through 646 comprise a rich bibliography and discography; the index takes up 41 pages. NO music lover should be without this invaluable reference work.

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This text provides comprehensive coverage of black American music, from the arrival of the first Africans in the English colonies to contemporary developments in African-American history. The book draws on authentic documents, from colonial times to the present, to illuminate the history of black music. The book provides thorough treatment of black women musicians, including Lil Hardin Armstrong, Marian Anderson, Billie Holiday, Leontyne Price and Ella Fitzgerald.

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1/11/2011

1001 Songs: The Great Songs of All Time and the Artists, Stories and Secrets Behind Them [Paperback] Review

1001 Songs: The Great Songs of All Time and the Artists, Stories and Secrets Behind Them [Paperback]In the iPod era, it seems like everybody and their mother has a book out about "essential playlists," as if you can condense a band like the Beatles into 20 randomized gems. Interesting though books like this are, none are worth owning any more than one should buy a tracklist for a compilation CD. So why should this massive title be any different?

The answer is simple. In its size lies content... Creswell says something about each song. It's more like a book of brief stories, as opposed to the bound grocery lists similar titles offer... you get recommendations and reasons why. See, this book is like talking to your friend about music... he'll tell you he's just discovered Portishead, you'll share that you've lately been really into Neil Young's latest, and perhaps after you'll go home and check out what the other was hyping.

There is plenty of hyping going on in here, too, with 1001 tracks waiting for you to discover them. Neither the songs nor the artists are all the same old standards... you'll find, for example, Pearl Jam's "Alive," but I was all the more pleased to find a young woman named Thea Gilmore listed within... a name which might be more well known in England, but is not as well known here in the US. If you're looking for the Great American Songbook, you'll be disappointed. Of course, if you're looking for songs that classic, that well known, what more new can be written? The title states that these are great songs. This is, of course, debateable, but what is not debateable is that these are not necessarily the greatest. This book isn't meant to be a top 1001 of all songdom... it is meant to simply be 1001 songs that the author feels are truly great. I'd recommend this book to any avid music fan, anyone who enjoys learning about music they didn't know before, and anyone open to hearing that which may not be familiar... that is the niche it serves. If you need a countdown, look elsewhere, and if you can't look past the classics, Michael Buble will have a new CD soon enough.

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The fascinating stories behind more than a thousand best-loved songs from the last 50 years are explored in this entertaining collection. Intriguing background and biographical information on each song and its artist - from Elvis and Fatboy Slim to Leonard Cohen and Pulp - is included alongside more than 400 rare, full-color photographs of the musicians. Keeping in line with the way that iPods and other portable mp3 players have changed the way people listen to music - with personalized playlists and mixes just a few clicks away - this collection places more emphasis on specific songs than entire albums. The eclectic mix of profiled songs are randomly ordered, similar to a playlist, widening listeners' horizons while educating them on a variety of styles and artists.

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12/14/2010

African American Music: An Introduction [Hardcover] Review

African American Music: An Introduction [Hardcover]Co-edited by Mellonee V. Burnim and Portia K. Maultsby for a college-level introduction perfect for classroom text use or library reference, you can't go wrong with African American Music: An Introduction - it gathers thirty essays by leading scholars to survey major Afro-American musical genres both sacred and secular over the extent of American history, uses studies from both ethnographic fieldwork and recordings, and adds biography, photos and illustrations, and references which bring the scholarly focus to life. The blend of scholarly research, field research and cultural observation makes African American Music: An Introduction the perfect text for study.

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African American Music: An Introduction is a collection of thirty essays by leading scholars whch survey major African American musical genres, both sacred and secular, from slavery to the present. The work brings together, in a single volume, treatments of African American music that have existed largely independent of each other. The research is based in large part on ethnographic fieldwork, which privileges the voices of the music-makers themselves, while interpreting their narratives through a richly textured mosaic of history and culture. The book is replete with references to seminal recordings and recording artists, musical transcriptions, photographs, and illustrations that bring the music to life as expressions of human beings. At the same time, it includes the kind of musical specificity that brings clarity to the structural, melodic, and rhythmic characteristics that both distinguish and unify the music of African-Americans.



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11/13/2010

Blues People: Negro Music in White America [Paperback] Review

Blues People: Negro Music in White America [Paperback]This book is probably the greatest ever written on the early history of black music in America. With rare clarity and glowing intensity, Baraka traces the evolution of black forms such as blues and jazz back to Africa,and presents the reader with genuine insight into the world of the creatorsof these important 20th century art forms. The book is as gripping as anynovel you will ever read, and also crammed with facts and mindbogglinglines of thought. Anybody with even the slightest interest in modern blackmusic needs to read this book, and consider its contents thoroughly.

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"The path the slave took to 'citizenship' is what I want to look at. And I make my analogy through the slave citizen's music -- through the music that is most closely associated with him: blues and a later, but parallel development, jazz... [If] the Negro represents, or is symbolic of, something in and about the nature of American culture, this certainly should be revealed by his characteristic music."
So says Amiri Baraka in the Introduction to Blues People, his classic work on the place of jazz and blues in American social, musical, economic, and cultural history. From the music of African slaves in the United States through the music scene of the 1960's, Baraka traces the influence of what he calls "negro music" on white America -- not only in the context of music and pop culture but also in terms of the values and perspectives passed on through the music. In tracing the music, he brilliantly illuminates the influence of African Americans on American culture and history.

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