Classic Piano Rags [Paperback] Review

There are a fair number of books on the market with ragtime sheet music in them.This is the one I've used the most over the years, since despite its quirks it's the best way of getting a hold of a generous amount of period ragtime, in unedited form.
About that "unedited form".The book photographically reproduces the original sheet music verbatim.This has its downside: the original music companies printed things in a quick'n'dirty manner, & while the sheet music from Stark (Joplin, Lamb, Scott, &c) is usually well-presented & carefully set, some of the other music is sprinkled with errors & eccentricities, especially the tunes by Charles Hunter.However, I'd rather have the typos--easily fixed--than have some meddling editor tidy up the text.Editions of these tunes by people like Max Morath tend to have a fair bit of editorial interference, & I'd much rather see what the tunes looked like without that kind of filtering.
Dover also prides itself on historically accurate reprints.This means that you get the original cover art.....which is as you'd imagine often pretty offensive by modern standards in its depiction of African-Americans.Still, it's just as well to be reminded of the historical conditions of this music's creation and dissemination. -- What's more irritating & less justifiable about the decision to include cover art is that it completely throws off the pagination.Since each piece is typically 4 pages long, adding the cover art makes for 5 pages--so that every second piece has its page turns in exactly the wrong place.This isn't a minor quibble: often the page turns are as a result placed in the middle of repeats, at key moments in the score, &c.Dover ought to have added some blank pages to keep the rectos & versos in the right sequence.
Anyway, enough caviling.What you get is an enormous pile of Joplin--nice, but that's easily enough available elsewhere.But you get a huge selection of work by most of the other really interesting figures of the period.I think Blesh's concept of "Classic Ragtime" is a crock, an attempt to make polemical distinctions between high art & popular trash in a genre where such distinctions are hard to make.& what does the idiosyncratic, rather naive music of Charles Hunter have to do with the sophisticated creations of Joplin or Artie Matthews anyway?Anyway, it's great to have all this stuff here--pieces by Robert Hampson, Hunter, Charles L Johnson, Joplin, Joe Jordan, Joe Lamb, Arthur Marshall, Matthews, Scott, Charles Thompson, Tom Turpin, Percy Wenrich, Clarence Woods.I've spent years working through the book.
Fans of this book, by the way, should check out Trebor Tichenor's two volumes of ragtime rarities for Dover--these include some terribly obscure stuff along with lesser-known Scott & Lamb pieces, & is very much worth exploring if you're curious about the genre.

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Product Description:
Best ragtime music (1897-1922) by the greatest ragtime composers of the age: Scott Joplin, James Scott, Joseph Lamb, Tom Turpin, nine more. Definitive collection for lovers and performers of ragtime.


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Scott Joplin Collected Piano Works: Rags, Waltzes, Marches (Belwin Edition) [Sheet music] Review

This wonderful collection of the piano music of Scott Joplin (1867 - 1917) was originally published by the New York Public Library in 1971 and edited by Vera Brodsky Lawrence.With additions in 1981,the book includes the score for virtually all of Joplin's solo piano works, including 41 "original works",7 "collaborative works",3 "miscellaneous works", and 3 additional rags added to the volume in 1981 when permission was secured from the holder of the copyright.I have had this volume for many years and continue to study and learn from it, in playing familiar works and learning new pieces.The volume is an endless source of delight and inspiration.

Born in east Texas to a father who had been a former slave and to a free black mother, Joplin showed musical talent at an early age and received free piano lessons oriented towards classical music from a local white teacher who recognized his talent.At 14, Joplin left home and assumed a wandering life in hopes of furthering his dream to become a composer and musician. He ultimately settled in St. Louis and Sedalia, Missouri where he began to compose the ragtime that would make him famous.Late in life Joplin moved to New York City where he continued to compose ragtime while spending most of his energy on his opera "Treemonisha."His music was in danger of being forgotten until interest revived in the early 1970s through the use of his music in the movie, "The Sting", the revival of "Treemonisha" and the publication of this volume of his music.

This volume includes familiar and unfamiliar Joplin. The most familiar of his ragtime works are the "Maple Leaf Rag" (1897) and "The Entertainer" (1902) which became famous when used in "The Sting."Among the other rags I have enjoyed and learned to play over the years are "Elite Syncopations" (1902), "Weeping Willow Rag" (1903) , "Pine Apple Rag" (1908), "Wall Street Rag" (1909), and several others.Joplin also combined with friends and students in writing some pieces, including "Heliotrope Bouquet" (1907) with the gifted but troubled Louis Chauvin and "Swipesy" (1900) which Joplin wrote with his young student, Arthur Marshall.Joplin also wrote beautiful waltzes, including "Bethena" (1905) and "Binks Waltz" (1905). He also wrote a tango called "Solace" (1909).

Joplin's musicis varied, strongly syncopated, and melodious.Joplin tried to combine African American and classical music idioms to help create a distinctively American music.This is an elusive goal that has been pursued by many other composers.His piano music is not easy to play but is generally within the reach of determined amateurs, such as myself.Joplin wrote a set of exercises, the "School of Ragtime" (1908) to help aspiring pianists learn the skills needed to play his music.Joplin also said regarding his works:

"That real ragtime of the higher class is rather difficult to play is rather a painful truth which most pianists have discovered. Syncopations are no indications of light and trashy music, and to shy bricks at `hateful ragtime' no longer passes for musical culture."

In addition to the musical scores, this book includes a lengthy introduction "Scott Joplin: Black-American Classicist" by ragtime scholar Rudy Blesh which offers an excellent overview of the composer's life and music and of performance practices. Over the years, I have played Joplin for my own enjoyment, for friends, and at various venues on a volunteer basis. When I play for others, I generally combine classical works, with a performance of Joplin's "Bethena" together with some of the ragtime works.I find that Joplin's music is almost invariably the best-received of the works I perform by both knowledgeable and less-knowledgeable audiences.

Scott Joplin remains an American treasure. As Joplin wished, his music breaks down claimed musical boundaries between classical and popular.This volume will bring joy to lovers of the piano and to serious pianists, whether amateur or professional.

Robin Friedman

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Product Description:
In addition to the 54 original and collaborative works presented in this impressive volume, Scott Joplin: The Collected Piano Works includes 34 pages of scholarly insight and history that help the pianist determine performance practices and authentically reproduce the sound and style Joplin intended. With editions of 19 publishers reproduced in this volume, a colorful variety of music typefaces and printing styles is offered. Together with the evocative original cover designs, they present a vivid panorama of the Ragtime Era. Because study of the original publications has revealed great numbers of errata of various kinds, and since this edition is primarily intended for study and performance, the editors have incorporated corrections into the facsimile pages rather than perpetuate original errors for antiquarian interest.

Titles include: Maple Leaf Rag
* The Entertainer
* The Chrysanthemum
* Rosebud
* Eugenia
* Gladiolus Rag
* Wall Street Rag
* Solace
* Paragon Rag
* Lily Queen
* Heliotrope Bouquet
* Kismet Rag
* School of Ragtime
* Swan Rag
* Treemonisha and more.

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