The Roots of Texas Music (Centennial Series of the Association of Former Students, Texas A&M University) [Paperback] Review

As a musician, an avid reader and a Texan, I take Texas Music seriously. Expert editing makes this book not only an interesting read, but a treasure trove of specific details concerning the roots of Texas Music.This is a collection of essays by authors with a broad knowledge base and a passion for their subject.Whether the subject is Texas jazz, Tejano, polka, ragtime, blues or gospel, the reader will find much enjoyment and more detail that you can shake a stick at.

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"The music of Texas and the American Southwest is as diverse and distinctive as the many different groups who have lived in the region over the past several centuries," writes Gary Hartman in his introduction to this refreshingly different look at various genres of Texas music. "The Roots of Texas Music" celebrates the diverse sources of the music of the Lone Star State by gathering chapters by specialists on each of them. Editor, Lawrence S. Clayton, conceived this project as one that would not simply repeat the common wisdom about Texas music traditions but rather offer new perspectives. The result is a lively, captivating, and original look at the musical traditions of one of the nation's most fertile musical seedbeds. Authorities on each subject explore music of the Texas Germans and Czechs, black Creoles, Chicanos, and blues and gospel singers. The diverse genres included in this anthology also provide an introduction to the classes, cultures, races, and ethnic groups of Texas and highlight the ways in which the state's musical wealth has influenced the listening habits of the nation.

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Milton Brown and the Founding of Western Swing (Music in American Life) [Hardcover] Review

Great reading for the newcomer as well as the old seasoned lover of this Texas born music. Cary Ginell & Roy Lee Brown did a super job on this book! History told is in great detail. As my old friend Frank Reneau, who was a Crystal Spring Rambler & Light Crust Doughboy as well said, "It took me back 65 years!"
Highly recommended!

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The History of Texas Music (John and Robin Dickson Series in Texas Music, sponsored by the Center for Texas) [Paperback] Review

Written by Austin resident and founding director of the "Center for Texas Music History at Texas State University" Gary Hartman chronicles the background and history of what he defines as Texas music. He attempts to define what Texas music was and is today. That definition can basically be boiled down to being part of anything and everything out there in music. He then attempts to show how the nature of the sound has changed over time.

To do so, he looks at the history and culture of the American Southwest before looking at various ethnic groups such as Native American, Mexican American, and others that influenced Texas music. Each had a period of strong influence in the sound of Texas music before slipping back and being replaced by a different ethnic group that had risen to prominence. Those ethnic changes relate directly to the changing of culture and history in the Lone Star State and he argues that these changes make Texas music unique.

And while he may have a point, too often that idea is lost because of the heavy commentary full of dates, facts, too few anecdotes, and an immensely dry writing style. Musician as well as a historian, Gary Hartman uses this book to expand on an essay he originally wrote for "The Roots of Texas Music." As such, this book is first and foremost a history book. Clearly the author knows his subject matter from both a personal and a professional standpoint. Still, unfortunately, this book never really comes alive for the reader. Instead, it drones on and on for more than 226 pages with plenty of names, dates, and all the rest, but no human sense of who these people were. The occasional anecdote sheds some light but even then the background is told in a sterile academic style robbing the material of any human component that would relate to most readers.

The text that includes numerous pictures is followed by forty-one pages of notes. The notes, like any research project, are broken down into chapter references. There is also a bibliography of primary and secondary sources stretching twenty-two pages. That is followed by eleven page detailed index.

Despite the author's stated intention in the introduction that this is a book intended for the general public and not just academics, this is a very dry history book. It won't appeal to most readers in the "just the facts" style and tone that it is written in. Instead, this comprehensive book will primarily appeal to those who are mentioned in it, academics, and those who have a deep interest in the subject matter. For those selected groups, this 304 page book is excellent reference material both in text and pictures to further their studies. Kevin R. Tipple (copyright) 2008

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The richly diverse ethnic heritage of the Lone Star State has brought to the Southwest a remarkable array of rhythms, instruments, and musical styles that have blended here in unique ways and, in turn, have helped shape the music of the nation and the world.Historian Gary Hartman writes knowingly and lovingly of the Lone Star State's musical traditions. In the first thorough survey of the vast and complex cultural mosaic that has produced what we know today as "Texas music," he paints a broad, panoramic view, offers analysis of the origins of and influences on specific genres, profiles key musicians, and provides guidance to additional sources for further information.A musician himself, Hartman draws on both academic and non-academic sources to give a more complete understanding of the state's remarkable musical heritage. He combines scholarly training in music history and ethnic community studies with first-hand knowledge of how important music is as a cultural medium through which human beings communicate information, ideas, emotions, values, and beliefs and bond together as friends, families, and communities."The History of Texas Music" incorporates a selection of well-chosen photographs of both prominent and less well-known artists and describes not only the ethnic origins of much of Texas music but also the cross-pollination among various genres. Today, the music of Texas - which includes Native American music, gospel, blues, ragtime, swing, jazz, rhythm and blues, conjunto, Tejano, cajun, zydeco, western swing, honky tonk, polkas, schottisches, rock & roll, rap, hip hop, and more - reflects the unique cultural dynamics of the Southwest.

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