Mel Bay Ensenate a Tocar el Piano (You Can Teach Yourself) (You Can Teach Yourself) (Spanish Edition) [Paperback] Review

I have considerable musical background (I have played trumpet for 15 years, guitar for 6, and numerous other instruments) but never really sat down to master the mechanics of keyboard playing.This book was exactly what I was looking for because it starts from the basics of two-handed fingerings, and takes the player all the way to chord playing, etc., which is what I will focus on as a worship leader and musician.While this book moves quickly through theory and does not hand-hold, it does still cover a lot of ground from the basics to more complex concepts in music.The complete novice will probably not feel comfortable with this, but I still have to say that I am pleased and impressed with the scope of this book.If you have some musical background and are looking to cross over into piano as a second (or third or more) instrument, you will most likely appreciate this book because it does not dwell on the elementary concepts you are already familiar with.

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Product Description:
You Can Teach Yourself Piano is a revolutionary concept in piano instruction. No other method comes close to matching this book's scope in teaching not only basic music reading skills, but also the essential technique and theory for playing in all contemporary keyboard styles. Central to the philosophy of the You Can Teach Yourself series, this beginner's book is written to give the serious adult student a solid foundation while studying on their own without the advantage of having a private teacher; it will show you all you need to know to get an authoritative start on the instrument, presenting technical and theoretical concepts as needed while offering carefully graded, challenging material to hold your interest. In addition to the incalculable assets of ear training and development of taste in modern harmony, upon completion of this method the student will be fully prepared to handle the demands of modern piano music.

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African American Music: An Introduction [Hardcover] Review

Co-edited by Mellonee V. Burnim and Portia K. Maultsby for a college-level introduction perfect for classroom text use or library reference, you can't go wrong with African American Music: An Introduction - it gathers thirty essays by leading scholars to survey major Afro-American musical genres both sacred and secular over the extent of American history, uses studies from both ethnographic fieldwork and recordings, and adds biography, photos and illustrations, and references which bring the scholarly focus to life. The blend of scholarly research, field research and cultural observation makes African American Music: An Introduction the perfect text for study.

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African American Music: An Introduction is a collection of thirty essays by leading scholars whch survey major African American musical genres, both sacred and secular, from slavery to the present. The work brings together, in a single volume, treatments of African American music that have existed largely independent of each other. The research is based in large part on ethnographic fieldwork, which privileges the voices of the music-makers themselves, while interpreting their narratives through a richly textured mosaic of history and culture. The book is replete with references to seminal recordings and recording artists, musical transcriptions, photographs, and illustrations that bring the music to life as expressions of human beings. At the same time, it includes the kind of musical specificity that brings clarity to the structural, melodic, and rhythmic characteristics that both distinguish and unify the music of African-Americans.



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Billie Holiday: Wishing on the Moon [Paperback] Review

This was the best Bio I have read on Billie. Previous Bios never were clear on how many times she was married. Actually she was only married twice. There was also quite a bit of detail on her growing up in Baltimore. I always thought that Billie was from the Pennsylvania Ave. section of West Baltimore. But she actually grew up near Fells Point. LATER she movednear to the Royale Theatre in West Baltimore. Also there is clarification of the relationship between her Mother and Father.
HOWEVER there was too much description of her later drug use. (If you have read one Junkies life (as in John Belushi) you don't need to read about the drug use in another Junkie.) BUT there was also clarification that her addiction didn't start because of a white Band Member (which was shown in the movie).
Of the 4 books that I have read on Billie this was the best.

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Based on unrivaled access to archival interviews with those who knew her at every stage of her life, the most revealing biography of the incomparable Lady Day.
Certainly no singer has been more mythologized and more misunderstood than Billie Holiday, who helped to create much of the mystique herself with her autobiography, Lady Sings the Blues. "Now, finally, we have a definitive biography," said Booklist of Donald Clarke's Billie Holiday, "by a deeply compassionate, respectful, and open-minded biographer [whose] portrait embraces every facet of Holiday's paradoxical nature, from her fierceness to her vulnerability, her childlikeness to her innate elegance and amazing strength." Clarke was given unrivaled access to a treasure trove of interviews from the 1970's--interviews with those who knew Lady Day from her childhood in the streets and good-time houses of Baltimore through the early days of success in New York and into the years of fame, right up to her tragic decline and death at the age of forty-four. Clarke uses these interviews to separate fact from fiction and, in the words of the Seattle Times, "finally sets us straight...evoking her world in all its anguish, triumph, force and irony." Newsday called this "a thoroughly riveting account of Holiday and her milieu." The New York Times raved that it "may be the most thoroughly valuable of the many books on Holiday," and Helen Oakley Dance in JazzTimes said, "We should probably have to wait a long time for another life of Billie Holiday to supersede Donald Clarke's achievement."

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The Artistry of Bill Evans Vol.2 [Paperback] Review

This is actually Volume 2 (1995), and contains EIGHT (not eighty) transcriptions of Bill Evans piano parts off the recordings. This collection is better than Vol. 1.First, vol. 1 did not transcribe thecomping behind the bass solos.Second, vol. 1 focused on the late Fantasy& early Warner Bros. recordings (1970s), while this collection rangesfrom the first trio on Riverside, some Verve solo and trio sides, and solosides from Fantasy. Gripe: when transcribing trio recordings, is it toomuch to ask that the bass part also be transcribed? Songs: "AutumnLeaves" (mono version), "Spring is Here," and "What isThis Thing Called Love" from PORTRAIT IN JAZZ; "Here's That RainyDay" from ALONE; "I Should Care" and "Make SomeoneHappy" from TOWN HALL; "The Touch of Your Lips" and"What Kind of Fool am I" from ALONE (AGAIN). No extras (vol. 1had a short essay and photos).

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Product Description:
Eighty transcriptions from the late, great jazz master Bill Evans. Titles are: Autumn LeavesHere's That Rainy DayI Should CareMake Someone HappySpring is HereThe Touch of Your LipsWhat Is This Thing Called Love?What Kind of Fool Am I?

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The African-American Century : How Black Americans Have Shaped Our Country [Paperback] Review

Even though this book gives brief biographical sketches ofsignificant African Americans, I still give it five stars for the following reasons:
1) It is a very neatly organized resource for notable African-Americans, that can give quick and accurate information about these people and their times.I like that each page clearly shows the decade during which that person made major accomplishments. For each person profiled, there is at least onephoto, and a provocative, "boxed" quote.
2) This kind of book is desperately needed by most of America's schoolteachers. Many are not well-informed about the achievements of African-Americans, and here they get a quick, clear, and stimulating profile of many who made major contributions.Further, Professors Gates and West provide a bibliography that leads the reader to at least one significant in-depth work about each person profiled, so those who want to know more are "pointed in the right direction."
3) While there are some sports and entertainment figures, I don't think there is any bias in that direction. With personages like Muhammad Ali, Jackie Robinson, and Hank Aaron, you MUST include them in a work like this because they really transcended sports, and became larger-than-life symbols of social issues.
4) Professors Cornel West and Henry Gates Jr. write in a very clear manner, and don't candy-coat their subject manner.They point out the contradictions in many of these peoples' lives, mention their social critics, and demonstrate that meaningful lives are seldom neat and tidy ones.To professors Gates and West, I say "Thanks, fellas, for not coming across like the stereotypical "stuffy Harvard scholars!"

Finally, if you know of a school teacher who is well-intended about teaching more about African American history, but maybecan benefit from an attractively presented and easily accessible resource book, think of this as a thoughtful gift to that person.Next time February (Black History Month) rolls around, they will have lots of suggestions for class projects and pupil reports.

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The American Songbook: The Singers, Songwriters & The Songs [Hardcover] Review

"Ken Bloom's superb The American Songbook has the unique quality of service to two distinct audiences. Readers of a certain age will enjoy hours of pleasure recalling the music of their lives and responding to the inevitable impulse to listen to records they haven't played for years. Young people like those in my university musical theater courses will encounter the music and the people who made it- in their historical contexts- and will be led maze-like to new experiences as they seek out films and recordings in libraries and nostalgia bins. And not least, The American Songbook will help extend the great contributions of Bloom's subjects into the new century."

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Presented in the striking format of Ken Bloom's successful Broadway Musicals, this rich visual history of popular song covers all of the prominent figures behind the music, in front of the bandstand, and on top of the piano. "The Singers" includes Louis Armstrong, Tony Bennett, Barbara Cook, Bing Crosby, Rosemary Clooney, Ella Fitzgerald, and dozens more; " The Songwriters" features Harold Arlen, Hoagy Carmichael, Dorothy Fields, Stephen Foster, Richard Rodgers, Duke Ellington, Cole Porter, Jerome Kern, and a host of others; a lively section discusses the Big Bands; and a decade-by-decade insert puts the entire history of popular music in perspective through words and pictures.

Each one of the more than 200 listings in the book features the artist's personal and professional history, great songs, and important contributions, plus photos (many rare), record covers, anecdotes, quotes, and more. Sidebars and features throughout cover topics of interest-everything from Arrangers, Vocal Groups, and Keepers of the Flame to Tin Pan Alley, Parodists, and Classical Crossovers-making this the most thorough survey of its kind. Throughout, all of the great songs are discussed-literally hundreds of songs, from "Stardust" to "My Funny Valentine" to "White Christmas." Illustrated biographies, discographies, chronologies, and indices make The American Songbook a full-fledged reference as well as a pictorial feast.

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Pictures of an Exhibitionist: From the Nice to Emerson Lake and Palmer - The True Story of the Man Who Changed the Sound of Rock [Paperback] Review

Like the other reviewers here, I was and am a big ELP fan. As soon I heard Keith Emerson's playing, I was dumb-struck by his virtuosity and musical vision, one that, alas, did not play out too well over the years. I eagerly awaited this book, mainly because I wanted to hear what Keith Emerson had to say about his music.
There's a scene in "Spinal Tap" when David St. Hubbins is playing a beautiful piano piece and Rob Reiner asks him what the music is called . St. Hubbins replies "Lift my Love Pump." Well, I think that might sum up this book, and I can't say I wasn't warned by the title.
There are virtues here, however. Emerson has a breezy, conversational writing style that goes down easy, and he doesn't write a self-serving book in the least. The first part of the book, from his childhood to his breaking up the Nice is the best part, funny, and heartwarming. It struck me how much Emerson loved Lee Jackson and Brian Davidson, and the affection for his once and future bandmates mixed well with the stories. I often found myself laughing out loud.
The ELP and after sections are troubled. It's clear Emerson never liked Lake, and had a brotherly and patronizing attitude towards Palmer. But love between bandmates doesn't necessarily make great music, however, after reading this book and listening to the ELP oveure, I finally sensed the coldness that so many critics complained about.
The descent into drugs, the sadness of an abortion caused by miscommunication, the wrecking of Emerson's hand and the subsequent operations all make the second half of the book more than a bit sad. Emerson might have toned his words for this part of the book, but it continues in a breakneck and breezy manner, giving the impression (false I'm sure) that Emerson didn't care about these things.
My biggest complaint, however, is that he hardly discusses the music at all.I would have put up with hijinx and lines of coke with Bonzo better if he had talked about composing Tarkus more.
Still, for a proghead and synthfool like me, Pics of Ex is worth reading, even if the God of the Moog diminishes himself.

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