I finished reading the book yesterday. It was a VERY interesting book......one that I recommend every aspiring professional trombone player or other aspiring professional musician to read.
The autobiography covers Fred's musical career from his musical beginnings learning or rather attempting to learn piano as a child to his present day professional musical career. We learn that Fred played professionally as a teenager with a jazz big band. His father was a high school choral director and profesional jazz pianist. His grandmother was a piano teacher.
He covers his days playing for Ike and Tina Turner, James Brown, Bootsy Collins, George Clinton and their bands of Parliament/Funkadelic and Bootsy's Rubber Band. We learn of his playing days with the Count Basie Band.
Wesley is very candid regarding what he feels are the good points AND the bad points in his playing. He talks about his failed audition for a college band scholarship because of his playing shortcomings. He also talks about the major adjustment that he made from being a member of the Parliament/Funkadelic and Bootsy's Rubber Band bands to taking over the second chair that was previously vacated in the Basie band by Al Grey.
Wesley is also candid about the dual temptations of women and drugs that are faced by those musicians who are world famous or who are sidemen to the world famous. In addition, he talks about the ruthlessness of the music business, not only the managers and record company owners but also some of the fellow sidemen and the superstars that employ the sidemen.
The major thrust of the entire book is that Wesley managed to persevere with a combination of talent, hard work and a smattering of luck. He talks a great deal about his love/hate relationship with James Brown, The Godfather of Soul/Hardest Working Man in Show Business. It is positively hilarious to read Fred's accounts of disciphering James Brown's grunts into music that could be played by the band.
Througout the entire book, you get a feel about a man who has a deep love for music, especially jazz. However, his path always seemd to work its way back to the funk genre. He tells of solos that he played and that he recorded and that he was ashamed for his musical peers to hear. Hmmm......some of the solos that he was ashamed to play were ones that I found especially entertaining to hear and play when I was in high school in the early and mid 1970's!
He not only played trombone. He wrote and arranged music for several different bands. He worked as a studio musician and even scored a couple of movies. This is a frank and revealing book about a vastly talented man who worked extremely hard to make a living as a professional musician, supporting himself and his family.
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