Progressive Rock Keyboard: Hal Leonard Keyboard Style Series [Paperback] Review

I don't why anyone has'nt written a review for this book yet. Its perfect, and the accompanying CD is so helpful to help learn the rhythms of progressive rock keyboard. I would greatly recommend this book if you are sick of playing yankee doodle or any other book with boring sheet music. Contained in the book is an adequate description of the genre and presents perfect examples that you can learn. I found this book very satisfying and not too hard. I also have the rock keyboard and find that one great as well. So do buy these books.

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Product Description:
From the classic sounds of the '70s to modern progressive stylings, this book/CD provides you with the theory and technique to play and compose in a multitude of prog rock styles. You'll learn how soloing techniques, form, rhythmic and metrical devices, harmony, and counterpoint all come together to make this style of rock the unique and exciting genre it is. Also included is an introduction to classic and contemporary keyboard instruments and sounds, and how they can be used in different combinations to produce authentic-sounding keyboard parts. The accompanying CD features many of the examples covered in the book, as well as six complete progressive rock songs recorded by a real band.

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Improvising Blues Piano (w/cd) (Music Sales America) [Paperback] Review

Martan Mann can most definately play piano.The accompanying CD may almost be worth the price to hear him play.However, you're looking for instruction if you're reading this.I don't want to slam his product too hard.I'll just say he doesn't teach well and there's not allot of real meat here for beginners.I've also purchased Andrew D. Gordon's 100 Ultimate Blues Riffs.Riffs in all keys with many many different basslines and virtually zero instruction.Then, finally, I got my hands on something I absolutely love and can recommend wholeheartedly to anyone without a vast musical background who wants to play the blues.Check out the book/cd combos level 1 and 2 by David Bennet Cohen.You won't be dissappointed.I just ordered "Improvising Blues Piano" by Tim Richards and am very excited about it as well.One more you might look into.

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Product Description:
Unlock the mystery of blues improvisation as you develop an understanding of different blues styles and express yourself through your music. Contains scores of exercises designed to get you playing the blues.

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Barrelhouse and Boogie Piano (Music Sales America) [Paperback] Review

The transcriptions of some of the greatest barrelhouse and blues pianists such as Jelly Roll Morton, Meade Lux Lewis, Memphis Slim, along with their history are in this music book.
There is also a tantalizing CD of samples of the pieces in the book as played by the great blues pianists. This gives essential information as to how the syncopation and rubato sounds in the hands of the masters. The only problem is that as the snippet gets going, you really want to hear the entire piece and whammo! It's only a few seconds per piece, 12 minutes in all. Why oh why couldn't they put at least a few complete works on the CD?
Other than that quibble, this is a great book for blues piano, though greats such as Roosevelt Sykes are to be found in a companion volume, not in this one.
A must for blues lovers who play keyboard.

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Product Description:
An important instruction guide to the blues-style piano by the author of Six Blues Roots Pianists. Complete with music transcriptions and excerpts from the original recordings of 22 piano greats.

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FASTFORWARD: 12-BAR BLUES PIANO (Fast Forward (Music Sales)) [Audiobook] [Paperback] Review

This book provides a painless introduction to playing blues piano in six styles: Basic Shuffle, Boogie Woogie, Walking Bass, Stride, Jazz,and Rock. It presents the left and right hand parts separately, then throws them together. Each example has two tracks on the CD, with and without the piano part. The left hand parts are quite complete, but the right hand parts are a little thin, leaving out slides, crushed notes and tremelos. However, the backing tracks on the CD are outstanding. Once you master the material in the book, you can reuse the CD backing tracks with licks from other books like David Bennet Cohen's Blues Piano or Mark Harrison's Blues Piano. Had the author included more material, this could be a 5 satr book.

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Product Description:
Learn to play the 12-bar blues using authentic techniques to get the real blues sound.

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Improvising Blues Piano [Paperback] Review

This is a great book! I'm a beginning/intermediate piano player, I went through the first two Alfred's All-in-One Adult piano books and really enjoyed them (and recommend them!). But I found myself at a fork in the road: I was happy to continue memorizing "pieces", and practicing "technique", but I found myself wanting to know more about improvising. I play drums in a blues band, and I've had some music theory for keyboard percussion, so I'm not a total musical-novice. I tried out some other books (Mark Harrison's "Blues Piano: Hal Leonard Keyboard Style Series", but it's still a little over my head, perhaps in a year or so it'll be good for me. Also "David Bennett Cohen Teaches Blues Piano: A Hands-On Course in Traditional Blues Piano", but it really didn't light my fire either, and if I recall correctly, didn't have finger markings which I still find helpful.)This book pulls it all together for me: some blues music theory, some blues history, clearly-marked "assignments", a CD included, (a spiral binding that lays flat on the stand!) ... I'm hooked!

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Product Description:
The basic principles of blues piano explained for the intermediate-level pianist in an easy-to-grasp fashion.

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48 Razor-Sharp 12-Bar Blues Riffs for Swing Bands and Blues Bands: C Instruments Edition [Plastic Comb] Review

This is a beautiful little book filled with the type of excellent horn riffs played by bands like Louis Jordan, Bill Haley, swing bands, etc.

A lot of musicians overlook "riff" playing, but playing riffs as tune heads, outros, background, or even solos adds a lot of excitement and drive to blues songs.

Swing / blues riffs are easy enough for a beginner to play but also have pro application. I am enjoying playing my accordion along with the saxaphone and rhythm section.

The CD is high-quality and features a tight band and every example played note-for-note on the CD.

Valuable "How to Use" information is found in the book, including some good tips for how to apply the material to real songs.

The book is made of high-quality materials, including acid-free paper that allows writing on with pen or pencil. This is the type of paper that was used by the big publishers before they went to cheap copy paper. The cover is heavy and the spiral binding allows the book to be folded flat on the music stand, like the Homespun books made by Happy Traum.

An excellent, innovative book for anyone who is learning or playing the blues.

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Product Description:

This valuable book is for band musicians who love the exciting sound of riff-driven uptown blues and swing music.
Book and CD - Standard Notation
Technical ability: Early intermediate
Application: Hobbyist to professional
This unique collection of forty-eight 12-bar riffs provides some great ideas for spicing up the blues songs your band plays.
In music, a riff is a repeating pattern, often played against a chord or chord progression. Horn riffs played over twelve-bar blues progressions add drive, variety, identity, and excitement to a song.
Examples of riff songs include Now's the Time by Charlie Parker; In the Mood by Glenn Miller; and Rock Around the Clock by Bill Haley and the Comets.
Riffs can be worked into most any medium-to uptempo blues.
A twelve-bar riff is a versatile arranging tool, and can be used as a tune head, solo, backing for a solo, or backing behind a singer.
Although most riffs are fairly easy to play, and easy to apply to blues progressions, many bands neglect this important aspect of arranging and performance.
For the student, riffs provide excellent practice for sight-reading rhythms. And an emerging blues musician can actually play a 12-bar riff as a solo.
Improvising musicians might use riffs as motifs upon which to base solos. Arrangers are encouraged to develop the riffs into two-or three-part section harmony parts.
The riffs in this book are arranged in the treble clef for piano (right-hand), violin, oboe, piccolo, flute, C-trumpet, accordion (right-hand) and other concert-pitched treble clef instruments. A separate notation/tablature edition is available for guitar players.
The C edition provides riffs suitable for jazz piano, blues piano, jazz violin, blues violin, jazz oboe, blues oboe, jazz piccolo, blues piccolo, jazz flute, blues flute, jazz trumpet (C), blues trumpet (C), jazz accordion, blues accordion, etc.
It is an excellent reference for the jazz and blues song writer, composer, or arranger. Invaluable also for the school stage band or jazz band musician.
Great stuff here with lots of potential for all swing band and blues band musicians.
Companion CD includes all 48 riffs, played on tenor sax with full rhythm backing.
Coil bound for your convenience.

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Intermediate Blues Keyboard: The Complete Blues Keyboard Method [Paperback] Review

This little book has distilled quite a bit of blues music history and style into an easy-to-understand format.It's really directed at quickly playing blues concepts with just enough explanation and practice exercises.I was pleasantly surprised at how quickly I could play the material and use it in my more traditional jazz playing

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Product Description:
This book is great for keyboardists who have learned the basics of blues improvisation and composing. Beginning with a review of concepts and skills covered in Beginning Blues Keyboard, this book explores further into topics such as chord extensions, blues techniques, building basslines, playing in the key, ii-V substitutions and slow blues.Blues forms such as the twelve-bar blues and the eight-bar blues are explored. Packed with sample licks and songs, this book is essential for any keyboardist serious about learning the blues.

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Jazz, Blues, Boogie & Swing for Piano [Paperback] Review

I'm a self taught amateur who can just about crash through a hymn at about 1/4 speed third or fourth time around sight-reading-wise, but, these arrangements I can play (apart from the left hand tenths)given about two months per tune, (doing two or three at once) because they don't seem to get boring even after the 100th attempt. There is enough "guts" in the arrangements to hold my attention long enough for me to learn them.
They are particularly "easy" to memorise, that's the trick and also they are short.
If you don't want too simple or grindingly chromatically brainy but do want the "open" clean sounds of happier times from honest nostalgia to gutsy-slow-blues to brain-twisting-makes-ya-grin-boogie then this is for you!

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Product Description:
Various A collection of the original sheet music for 48 songs from the era, featuring the arrangements of 'Fats' Waller, Art Tatum, Duke Ellington, James P. Johnson, Albert Ammons, Pete Johnson, Count Basie, Clarence Williams, Jay McShann, Billy Kyle, Zez Confrey.

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Bebop Jazz Piano: Hal Leonard Keyboard Style Series [Paperback] Review

I have a few of the other books in this series and find them all great! John Valerio is a wonderful composer and teacher and has a very similar style to Mark Harrison (another composer in this series). This book includes important information about chords, voicings, harmony, chord progressions, scales, tonality, melodic figures and patters, comping, characteristic tunes, styles of Bud Powell and Theolonious Monk...anything that is used in any type of bebop jazz. It goes through the history and evolution of Bebop. The book moves quickly but provides the information that is important. It comes with a very handy CD which allows to hear what it's supposed to sound like. I highly recommend this book and have found that using it with some of the other books in the series is beyond helpful!

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Product Description:
In this book in the Hal Leonard Keyboard Style Series, author John Valerio provides essential, detailed information for bebop and jazz pianists on the following topics: chords and voicings, harmony and chord progressions, scales and tonality, common melodic figures and patterns, comping, characteristic tunes, the styles of Bud Powell and Thelonious Monk, and much more. The accompanying CD features many of the examples in the book performed either solo or with a full band. Also included are combo performances of five of the tunes featured at the end of the book.

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100 Ultimate Blues Riffs for Piano/Keyboards (Book and CD) [Paperback] Review

It has been somewhat difficult for the intermediate/advanced piano player to find a book of riffs and melodic ideas to add to their blues repetoire.This book, "100 Ultimate Riffs" is just what you're looking for..and it delivers what it's name implies. "100 UltimateRiffs" providesa good mixture of chords and individual note runsthat you would expect from such a book.It also provides riffs indifferent keys, wih a variety of rhythms.
NOTE:The riffs may be toodaunting for the beginner, but anyone from early intermediate onwards willfind useful and fun blues riffs in this book.
This is not a "howto" book, nor is it a compliation of blues "standards". This book does not provide theory or concept on progressions, turnarounds,etc....it is what it's name implies,a riffs book.

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Product Description:
This best selling book, 100 Ultimate Blues Riffs by Andrew Gordon is an exhaustive guide to some of the best musical phrases that make up blues piano/keyboard playing. There are five sections broken down into:
* Basic Blues riffs
* R&B influenced Blues riffs
* Boogie Woogie
* Rock influenced Blues riffs
* Gospel influenced Blues riffsThe 12 bar Blues progression and the Blues scale are explained. There are two completed songs at the back of the book that shows how to combine many of the riffs to form a song. Many people have commented that this is the best Blues keyboard product that they have ever used. A must for all levels of keyboardists that want to study the blues. All 100 "riffs" are recorded with the piano right hand on the right channel and the piano left hand on the left channel along with a drum track. Learn how your favorite Blues keyboardists play including Dr. John, Leon Russell, Chuck Leavell, Jimmy Yancey, Meade Lux Lewis, Otis Spann, Nicky Hopkins and many more!

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Blues Piano: Hal Leonard Keyboard Style Series (Keyboard Instruction) [Paperback] Review

I got this book along with a number of other blues books, and this one has been my favorite.It doesn't contain as much material as the multivolume Alfred series, but I find the organization, presentation, and *especially* the examples to be superior in Mark's work.The way the examples build section by section and chapter by chapter is exquisite.They are musically interesting yet very focused on the point at hand--I always enjoyed playing through the examples, but was never confused by unnecessary complications.

The companion CD is the best I've seen in any music instruction book, ever.Most examples have the left and right hand parts on the left and right channels, so you can mute one speaker or the other for "hands seperate" practicing.I personally don't use this much, as I prefer to work it out with the metronome, but I'm glad it's there and you may appreciate it.On tracks that have a backing band, the band is on one side and the keyboard on the other so you can play along to just the band.Finally, the "complete" examples at the end of the book feature a "slow" and "fast" version on the CD.One nitpick: I wish he'd included (in the text) the metronome settings he used, making it easier to practice/jam without the CD.

I've got several of the Hal Leonard books in this series, and they're not all by Mark Harrison.His books are definitely a cut above.All in all, if you have any interest in the subject whatsoever, you can't go wrong with this book.

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Product Description:
Ever wanted to play the blues, but weren't sure where to start? Blues Piano will teach you the basic skills you need. From comping to soloing, you'll learn the theory, the tools, and even the tricks that the pros use. And, you get seven complete tunes to jam on. Listen to the CD, then start playing along! Covers: scales and chords; left-hand patterns; walking bass; endings and turnarounds; right-hand techniques; how to solo with blues scales; crossover licks; and more.

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Contemporary Jazz Piano: Hal Leonard Keyboard Style Series [Paperback] Review

I have several other books by Mark Harrison and truly enjoy his latest offering.
I have been looking for a book that covers this genre for a while and find the chords and voicings very helpful.
Although I haven't been playing that long, I feel this book will help me get to another level.

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Product Description:
This comprehensive book/CD pack will teach you the basic skills needed to play the variety of styles that comprise contemporary jazz piano. From comping to soloing, you'll learn the theory, tools, and techniques used by the pros. The accompanying CD demonstrates most of the music examples in the book. The full-band tracks feature the rhythm section on the left channel and the piano on the right channel, so you can play along with the band!

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Exploring Jazz Piano - Volume 1 (The Schott Pop Styles Series) [Paperback] Review

I've bought several books on improvising jazz piano and this is by far the best. It's a heavy, well bound book (my binding has not come apart), which could explain it's $40 list price tag. The book itself is worth $40, even if it was looseleaf!

I agree with the previous reviewer that Richards quickly covers basic chord theory, but that's what convinced me to try this book. Since I've been studying jazz theory (trying to learn to improvise) and have a fair level of knowledge, I didn't want another book that introduced chords and basic ii V7 I progressions. There's some excellent books on jazz theory out there - try Bert Ligon's books for the most thorough, and challenging, course on theory. I wanted a book that would teach me how to sound like my favorite jazz pianists.

To improvise jazz, you need a thorough command of chord voicings and progressions, and then an ability to improvise scale patterns against a strong left hand rhythm. Many books give examples of those components, but only give a few basic exercises and vague verbal instructions on how to apply them to a song. I have the knowledge needed and I can play great sounding chords and progressions, but I have not been able to play a respectable improvisation and haven't been able to find any real guidance up until now.

What makes this book different--and excellent--are the numerous exercises that show you how to apply the techniques presented in the lessons. Richards' book gives several etudes and exercises in each chapter to help you develop those skills. He offers excellent improvising suggestions and examples for each etude, and shows how to apply them. In addition, he provides 4 or 5 authentic jazz tunes in each chapter - from standards to bebop and all styles - and, again, offers detailed examples and suggestions to apply the techniques presented. In addition, the tunes and drills present various left-hand styles with an emphasis on latin styles.

If you can play piano at a late beginner or early intermediate level, and have a basic knowledge of chords, then you'll get a lot out of this book. If you're an experienced player and know chords thoroughly, this book - and the Volume 2 book - will help you improve and give you excellent training in improvising.

I first bought volume 2 thinking that volume 1 would be too basic for me. But after working with vol. 2 for a week, I decided to buy vol. 1 after all. I know all the theory in volume 1, but the exercises and drills provide so much excellent instruction in playing left hand rhythms or basic chord voicings against a right hand improvisation, that I don't feel that I'm wasting my time with elementary concepts.

The cd that comes with it provides an opportunity to play along with his band. However, the tempos are fast. If you have a keyboard or piano with built in rhythms, you'll be in better shape. You'd definitely want a metronome if you don't have built in backgrounds, so that you can practice slowly and work up to the finished speed. Band in a Box is a great software program that provides some excellent backgrounds to practice with.

Tim Richards is the best teacher - and on top of that a great jazz pianist. He and I are going to be tight for a long time.

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Product Description:
Volume 1 introduces the intermediate pianist to the basic chord-types used in jazz, from major and minor triads to seventh and ninth chords. Other topics include: Chord/scale relationships, modes, broken chord and scale patterns, pentatonic and blues scales, walking bass lines, Latin rhythms and bass lines, the diatonic cycle, secondary dominants, IIVI sequences, horizontal and vertical improvisation, tritone substitution, two-handed voicings, rootless voicings, technical exercises and fingering, accompaniment styles, ear-training, discography (suggested listening).28 pieces by the author appear alongside special arrangements of well-known jazz standards, including: Autumn Leaves * Fly Me to the Moon * In a Sentimental Mood * Mannenberg * On Green Dolphin St (Part 1) * Ornithology * Song for My Father * Straight No Chaser * Take the A Train. Also included are transcribed solos by Thelonious Monk and Horace Silver, an invaluable source of authentic jazz techniques.

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Jazz-Blues Piano: The Complete Guide with CD! Hal Leonard Keyboard Style Series [Paperback] Review

I've been playing jazz piano for about two years now, and have had great success with The Jazz Piano Book (as one might imagine). The next book that has served me well is Post-Bop Jazz Piano - The Complete Guide with CD!: Hal Leonard Keyboard Style Series, which is from the same series as the Jazz Blues Piano book under review. So, when I began looking for a book to help me sound bluesy, something noticeably lacking from my skill set, I gravitated toward this book for that reason and because my piano instructor didn't have this book (although he had many others in the same series). I have to say, that overnight, this became my favorite book to work from. There are a lot of reasons for that. First is that this book contains a good dose of easy-to-digest jazz music theory and explanation. The student can choose to skip over this and concentrate on playing the exercises, but I chose to read everything carefully and to try and understand and apply it, and I found it very useful. I was also quite pleasantly surprised when I found myself playing a ii-V-I progression (the backbone of jazz music) in a fashion I had never been shown before (with a moving bass note changing the mode of the chord). I was fascinated, and it made it easy for me to work on doing it in all twelve keys (which is normally drudgery), and to quickly press on in the book. As I played through the exercises, read through the material, then reached the exercises that are on the CD, I kept working on the suggested chords. Because I'm not a raw beginner, the first twenty pages went very quickly, and all of a sudden I found myself at about twenty pages in on exercise 9practicing a straight up blues lick. That's right: two hours and I was playing blues. Very, very exciting. Like all piano books, including a number I have reviewed, this still requires practice and stick-to-itive-ness, but this book provides some small rewards on every page, which I find quite motivational and desirable. I can easily picture myself working through this entire book in a relatively short period of time. Beginning piano students will still need to work on some of this material with an instructor, but anybody with a good technical foundation in piano and at least a small amount of jazz knowledge should be able to work through most of this by themselves, thanks to the useful and well executed CD. Although there are many options and levels available, if you want to sound jazzy or bluesy, without a lot of fuss and without spending a lot of money or time, I really think this book is the best and simplest place to start.

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Product Description:
This comprehensive book/CD pack will teach you the basic skills needed to play jazz-blues piano. From comping to soloing, you'll learn the theory, the tools, and the tricks used by the pros. The accompanying CD features many of the examples in the book performed either solo, or with a full band, including a full chapter of complete songs. Topics covered include: scales and chords * harmony and voicings * progressions and comping * melodies and soloing * characteristic stylings.

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