Spellman, a lucid analyst of the avant garde jazz movement in the '60s (see his liner notes, for example, on the original release of Coltrane's "Ascension"), has contributed with this book four compellingportraits of musicians who gave and have given their lives tojazz.
"Four Lives in the Bebop Business" profiles two altoists,Jackie McLean and Ornette Coleman; and two pianists, Cecil Taylor andHerbie Nichols. Spellman skillfully crafts the narratives, while wiselyallowing his subjects to tell large chunks of their stories in their ownwords.
It becomes clear as one reads the book that it took a lot of gutsto be a jazz musician during the '50s and '60s (and still does). All fourof the musicians faced major obstacles in pursuing their art.
McLean,who enjoyed the greatest amount of commercial success of the four,especially early on, battled drug addiction. Taylor and Coleman faced openhostility because of their challenging, groundbreaking approaches toplaying their instruments. Nichols (the only one of the four who is notstill alive) was just plain ignored, despite his brilliantly originalplaying (check out the two-disk Blue Note compilation of his music), andspent much of his all-too-brief career playing in Greenwich Villagedives.
In spite of bad accommodations, poor pay, public indifference,critical hostility and difficulty finding gigs, these artists, the bookmakes clear, would never play anything other than jazz. In this sense, thebook has an underlying inspirational message. Still, it remains for Americato fully embrace its only true indigenous art form, something which to thisday has not occurred.
The book also offers insights from the musicians onthe creative process and about the historic changes in jazz that occurredduring the '60s, from the perspective of men who were on the front lines ofthe battles between critics, musicians, and the listening public.
Required reading for the serious jazz listener.
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Product Description:
This book offers biographical sketches and quotations from four black musicians: Herbie Nichols, Cecil Taylor, Ornette Coleman, and Jackie McLean. Photographs.
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